From 81b15fdb0a77730cd467f266310a9a0cc9c637b2 Mon Sep 17 00:00:00 2001 From: Klaus Rettinghaus Date: Fri, 22 Jun 2018 18:07:19 +0200 Subject: [PATCH 1/4] Removing broken links to acm.org --- resources/mei_bibliography.bib | 23 +++++++---------------- 1 file changed, 7 insertions(+), 16 deletions(-) diff --git a/resources/mei_bibliography.bib b/resources/mei_bibliography.bib index ce627dca..8539fe4a 100644 --- a/resources/mei_bibliography.bib +++ b/resources/mei_bibliography.bib @@ -22,8 +22,7 @@ @inproceedings{Bell_2016 booktitle = {DLfM 2016. Proceedings of the 3rd International Workshop on Digital Libraries for Musicology}, year = {2016}, address = {New York, NY}, - doi = {10.1145/2970044.2970053}, - url = {http://delivery.acm.org/10.1145/2980000/2970053/p33-bell.pdf} + doi = {10.1145/2970044.2970053} } @@ -126,8 +125,7 @@ @inproceedings{Devaney_2016 booktitle = {DLfM 2016. Proceedings of the 3rd International Workshop on Digital Libraries for Musicology}, year = {2016}, address = {New York, NY}, - doi = {10.1145/2970044.2970052}, - url = {http://delivery.acm.org/10.1145/2980000/2970052/p1-devaney.pdf} + doi = {10.1145/2970044.2970052} } @@ -213,7 +211,6 @@ @inproceedings{Hankinson_2012 abstract = {In this paper we present our work towards developing a largescale web application for digitizing, recognizing (via optical music recognition), correcting, displaying, and searching printed music texts. We present the results of a recently completed prototype implementation of our workflow process, from document capture to presentation on the web. We discuss a number of lessons learned from this prototype. Finally, we present some open-source Web 2.0 tools developed to provide essential infrastructure components for making searchable printed music collections available online. Our hope is that these experiences and tools will help in creating next-generation globally accessible digital music libraries.}, author = {Hankinson, Andrew and Burgoyne, John Ashley and Vigliensoni, Gabriel and Fujinaga, Ichiro}, title = {Creating a Large-Scale Searchable Digital Collection from Printed Music Materials}, - url = {https://dl.acm.org/citation.cfm?id=2188221}, pages = {903–908}, publisher = {{Association for Computing Machinery}}, booktitle = {WWW'12. Proceedings of the 21st International Conference Companion on World Wide Web}, @@ -323,8 +320,7 @@ @inproceedings{Laplante_2016 booktitle = {DLfM 2016. Proceedings of the 3rd International Workshop on Digital Libraries for Musicology}, year = {2016}, address = {New York, NY}, - doi = {10.1145/2970044.2970055}, - url = {http://delivery.acm.org/10.1145/2980000/2970055/p45-laplante.pdf} + doi = {10.1145/2970044.2970055} } @@ -390,8 +386,7 @@ @article{McAulay_2016 number = {7}, issn = {0950-4125}, journal = {Reference Reviews}, - doi = {10.1108/RR-03-2015-0073}, - url = {https://www.emeraldinsight.com/doi/pdfplus/10.1108/RR-03-2015-0073} + doi = {10.1108/RR-03-2015-0073} } @@ -513,8 +508,7 @@ @inproceedings{Rizo_2016 booktitle = {DLfM 2016. Proceedings of the 3rd International Workshop on Digital Libraries for Musicology}, year = {2016}, address = {New York, NY}, - doi = {10.1145/2970044.2970046}, - url = {http://delivery.acm.org/10.1145/2980000/2970046/p25-rizo.pdf} + doi = {10.1145/2970044.2970046} } @@ -674,7 +668,7 @@ @misc{Schraeder_2007 title = {{Ein XML-Datenformat zur Repr{\"a}sentation kritischer Musikedition unter besonderer Ber{\"u}cksichtigung von Neumennotation}}, url = {http://www.dimused.uni-tuebingen.de/downloads/studienarbeit.pdf}, note = {{Seminar Paper. T{\"u}bingen, Eberhard Karls Universit{\"a}t}}, - + } @@ -794,8 +788,7 @@ @inproceedings{Viglianti_2016 booktitle = {DLfM 2016. Proceedings of the 3rd International Workshop on Digital Libraries for Musicology}, year = {2016}, address = {New York, NY}, - doi = {10.1145/2970044.2970056}, - url = {http://delivery.acm.org/10.1145/2980000/2970056/p57-viglianti.pdf} + doi = {10.1145/2970044.2970056} } @@ -851,5 +844,3 @@ @inproceedings{Zitellini_2016 year = {2016}, address = {Cambridge, UK} } - - From e78c5fb92e4a2eb50c476da18a70b9be45cbae7f Mon Sep 17 00:00:00 2001 From: Klaus Rettinghaus Date: Fri, 22 Jun 2018 18:12:19 +0200 Subject: [PATCH 2/4] date corrected --- resources/mei_bibliography.bib | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/resources/mei_bibliography.bib b/resources/mei_bibliography.bib index 8539fe4a..764f5f85 100644 --- a/resources/mei_bibliography.bib +++ b/resources/mei_bibliography.bib @@ -1,6 +1,6 @@ % This file was created with Citavi 6.1.0.0 % created 2018-05-05 -% modified 2018-06-06 +% modified 2018-06-22 @inproceedings{Bell_2016, abstract = {Conductor copies of musical scores are typically rich in handwritten annotations. Ongoing archival efforts to digitize orchestral conductors' scores have made scanned copies of hundreds of these annotated scores available in digital formats. From ec7a942f6cb42ab979c2c5b07047858c0c7d2028 Mon Sep 17 00:00:00 2001 From: Klaus Rettinghaus Date: Fri, 22 Jun 2018 18:18:25 +0200 Subject: [PATCH 3/4] early music pdf links broken (same as doi now) --- resources/mei_bibliography.bib | 2 -- 1 file changed, 2 deletions(-) diff --git a/resources/mei_bibliography.bib b/resources/mei_bibliography.bib index 764f5f85..977bea37 100644 --- a/resources/mei_bibliography.bib +++ b/resources/mei_bibliography.bib @@ -628,7 +628,6 @@ @article{Roland_2014 volume = {42}, number = {4}, journal = {Early Music}, - url_Link = {http://em.oxfordjournals.org/content/42/4/605.full.pdf+html}, doi = {10.1093/em/cau098} } @@ -702,7 +701,6 @@ @article{Stinson_2014 author = {Stinson, John and Stoessel, Jason}, year = {2014}, title = {Encoding Medieval Music Notation for Research}, - url_Link = {http://em.oxfordjournals.org/content/42/4/613.full.pdf+html}, pages = {613–617}, volume = {42}, number = {4}, From 8a2818424a3beba9d5ec2293e1c4d875f3aa4532 Mon Sep 17 00:00:00 2001 From: Klaus Rettinghaus Date: Sat, 23 Jun 2018 16:48:50 +0200 Subject: [PATCH 4/4] =?UTF-8?q?(re)added=20article=20by=20Bohl,=20Kepper,?= =?UTF-8?q?=20R=C3=B6wenstrunk?= MIME-Version: 1.0 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: 8bit --- resources/mei_bibliography.bib | 12 ++++++++++++ 1 file changed, 12 insertions(+) diff --git a/resources/mei_bibliography.bib b/resources/mei_bibliography.bib index 977bea37..f9f3ea74 100644 --- a/resources/mei_bibliography.bib +++ b/resources/mei_bibliography.bib @@ -26,6 +26,18 @@ @inproceedings{Bell_2016 } +@article{Bohl_2011, + abstract = {}, + author = {Bohl, Benjamin and Kepper, Johannes and Röwenstrunk, Daniel}, + year = {2011}, + title = {Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts}, + pages = {270–276}, + volume = {5}, + number = {3}, + journal = {Die Tonkunst: Magazin f{\"u}r Klassische Musik und Musikwissenschaft} +} + + @inproceedings{Burlet_2012, abstract = {This paper introduces Neon.js, a browser-based music notation editor written in JavaScript. The editor can be used to manipulate digitally encoded musical scores in square-note notation. This type of notation presents certain challenges to a music notation editor, since many neumes (groups of pitches) are ligatures–continuous graphical symbols that represent multiple notes. Neon.js will serve as a component within an online optical music recognition framework. The primary purpose of the editor is to provide a readily accessible interface to easily correct errors made in the process of optical music recognition. In this context, we envision an environment that promotes crowdsourcing to further the creation of editable and searchable online symbolic music collections and for generating and editing ground-truth data to train optical music recognition algorithms.}, author = {Burlet, Gregory and Porter, Alastair and Hankinson, Andrew and Fujinaga, Ichiro},